Premium Content

|--------------------------------------------------------| |------3------------3------------------------------------| |--------2------------0----------0-------------------2p0-| |-0-0-------------------------------------0h2--0---------| |------------0--3-3------------------0h2----------2------| |-------------------------0--3-3-------------------------| |----------------------------------------------------------| |------3------------3--------------------------------------| |--------2------------0----------0---0-2p0---0-4p0---0-5/7-| |-0-0------------------------------------------------------| |------------0--3-3----------------------------------------| |-------------------------0--3-3---------------------------| |------------------------------------------------3-| |------------------------------------------------3-| |---------7--------------5-5---------------0-----0-| |------7-----------------5-5------------0-----0--0-| |-7/9--------9-9\7--5h7-------7\5--0h2-----------2-| |------------------------------------------------3-|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash