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|--------------------------------------------------------------| |------------------9-------------------------9-----------------| |--6-8---8/10-8-10---10~----6-8---8/10--8-10---10-~------------| |--------------------------------------------------------------| |--4-6---6/8----------------4-6---6/8--------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--13p9h11p9h14p9h13p9h11p9h13p9h11p9---14b13-14b13------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |---11-----11-----11-----11-----13-----13----------------------| |---14b16--14b16--14b16--14b16--16b18--16b18-------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash