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|---|-------|----------------------------------------------------| |---|-------|----------------------------------------------------| |-0-|-(48x)-|-2--4--4/5--4--2--2h4--2--0--2--0-----0--------0----| |---|-------|-----------------------------------3-----2--3-----2-| |---|-------|----------------------------------------------------| |---|-------|----------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |----------------------------------------------------------0--2-| |-3--0--2-----0-----------------------------------0--2--3-------| |----------3-----2--3--0--2-----0--------0--2--3----------------| |----------------------------3-----1--3-------------------------| |----------0--1-----0--1-----0--1--3-| |-0--1--3--------3--------3----------| |------------------------------------| |------------------------------------| |------------------------------------| |------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash