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|-4--------2-------9-6--2-4--------2-------9-6--2-|
|-4-4------2-7h9p7------2-4-4------2-7h9p7------2-|
|-4---4----3------------3-4---4----3------------3-|
|-6-----6--4------------4-6-----6--4------------4-|
|-6--------4------------4-6--------4------------4-|
|-4--------2------------2-4--------2------------2-|
|-4--------2-------9-6--0--2--4--------2-------9-6--2-|
|-4-4------2-7h9p7------0--2--4-4------2-7h9p7------2-|
|-4---4----3------------1--3--4---4----3------------3-|
|-6-----6--4------------2--4--6-----6--4------------4-|
|-6--------4------------2--4--6--------4------------4-|
|-4--------2------------0--2--4--------2------------2-|
|-4--------2-------9-6--0--2-|
|-4-4------2-7h9p7------0--2-|
|-4---4----3------------1--3-|
|-6-----6--4------------2--4-|
|-6--------4------------2--4-|
|-4--------2------------0--2-|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash