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|-14b16-14-14-14-16-14-------9-12-8/9\------------------------| |-----------------------/12-------------12b14--12-12-12-14-12-| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |---------------------------------------------------| |----------------------12-10------------------------| |-11b13-13--13-13--11---------13-11--11-11-11-13-11-| |---------------------------------------------------| |---------------------------------------------------| |---------------------------------------------------| |-----------------------------------------------10-10b12-| |-12h13p12--11h12p11--10h11p10--9h10p9--8h9p8------------| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash