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|----------9-----------------9-------------------9--------|
|--12b14------12--9---12b14-----12--9---12b14-------12--9-|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---13b16---12~-------17b19---16-15-14-----------------|
|----------------------------------------17--14--18b21-|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|---------------------------------------------------------|
|------17-19b21--17-19--19p17------17----------16---------|
|--18--------------------------18-------16b18------16b18~-|
|---------------------------------------------------------|
|---------------------------------------------------------|
|---------------------------------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash