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|-0-2-3-----------------------------------0-2-3----------------------| |----------0----0-2-3-----------------3-----------0---0-2-3----------| |--------0---0--0---0----------0-0h2------------0---0-0---0----------| |---------------------0------0---0--------------------------0------0-| |---------------3----------2--------------------------3----------2---| |-----0------------------3--------------------0----------------3-----| |---------0-2-3---------------------------| |-------3---------0---0-2-3---------------| |-0-0h2---------0---0-0---0---------0-0h2-| |---0-----------------------0-----0---0---| |---------------------3---------2---------| |-------------0---------------3-----------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash