Premium Content

|--------------------------------------------------------------------| |-----------0--------0---------0----------------0--------0---------0-| |-----------4--------2---------2----------------4---4----2---------2-| |-0-0-0-2-4-5---5----4----4----4----4----0-2-4--5--------4----4----4-| |--------------------------------------------------------------------| |-----------0-0---0--0--0---0--0--0---0--0-0-0--0-0---0--0--0---0--0-| |-------------------------0-----------------------------------------|- |----------------0---3-----3-----------------------3-------3-------2-| |----------------4-------4-2-------2-------2-------2-------2-------2-| |---0---0--0-2-4-5---------4---4---4---4---4-4\2-0-2---2---2---2---2-| |--------------------------0-----------------------0-0---0-0-0---0-0-| |-0---0----0-0-0-0-0---0---0-0---0-0-0---0-0-------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash