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|-3--3--3---------3--3--3----------------------------------------| |-3--3--3---------3--3--3--2-----------0-----------0-----2-------| |-0--2--2---------0--2--2--2-----0-----------0-----------------0-| |-0--0--2---------0--0--2--2-------------------------------------| |-2-----0--4h5h7--2-----0--0--------------------------0-----0----| |-3---------------3-----------3-----3-----3-----3----------------| |-----------------------------------------5--------5--------5----| |----------3--5--7-----------7-----5---------5--------5--------5-| |----0-----------------0-----------------------------------------| |----------------------------------------------------------------| |-2-----2-----4--5--5-----5--------------------------------------| |-------------------------------5-----5---------5--------5-------| |--------------3-| |-------3--------| |----------------| |----------------| |----------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash