Premium Content

|------4----------4----------4----------6----------7----------7-| |----0----------0----------0----------0----------0----------0---| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |-4-------4--4-------4--4-------4--6-------6--7-------7--7------| |---------7--------7------------2----------2----------2--------2-| |-------0--------0------------0----------0----------0--------0---| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-7--7------7--7------7\2--2-------2--2-------2--2------2--2-----| |---------0----------0----------0---------2------------4-| |-------0----------0----------0---------0------------0---| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |-2--0-------0--0-------0--0-------0--2------2/4--4------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash