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|-----------------|--------|--------------|------|
|-----------------|--------|--------------|------|
|-14--12\11--11~--|--(2x)--|-14--12-------|-(2x)-|
|-----------------|--------|---------14~--|------|
|-----------------|--------|--------------|------|
|-----------------|--------|--------------|------|
|-------------------------------------------|
|------------------------------15-----------|
|-/14--12~--14p12--11b12/7/12~----11b12r11~-|
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|
|-----------------------------------------------------------|
|----------------------------15-15-13--15b17-17-17r15-15-13-|
|-14p12-11~-14p12\11--14b16---------------------------------|
|-----------------------------------------------------------|
|-----------------------------------------------------------|
|-----------------------------------------------------------|
|-----------------------------------------------------17--17~-|
|-12b13r12--------------------------15-15/17-15-17b19-----19--|
|----------12----14b16r14p12-14b16----------------------------|
|-------------12----------------------------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash