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|--------1--------------3----------------0-----3p0-----0---------| |-1--------1---1--1/3-----3----------0-1---1-------1-----1-------| |-0h2--------2-2--2/4-------4------2---------2-------2-----2-0---| |-3----3-------3--3/5--5---------2-------------------------------| |------------------------------0---------------------------------| |----------------------------------------------------------------| |--------1--------------3----------------0-0-3-0-0-0-0---0----| |-1--------1------1/3-----3----------3/5-5-5-5-5-5-5-5p3-3\1--| |-0h2--------2----2/4-------4------2--------------------------| |-3----3-------3--3/5--5---------2----------------------------| |------------------------------0------------------------------| |-------------------------------------------------------------| |--------1--------------3-----| |-1--------1------1/3-----3---| |-0h2--------2----2/4-------4-| |-3----3----------3/5--5------| |-----------------------------| |-----------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash