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|--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |----------------5-5-5-----9-9-9-9-9-----5-5-5-5-5-------------| |-5-5--5-5---3-3-3-3-3-5-5-7-7-7-7-7-7-7-3-3-3-3-3-7-7---------| |-3-3--3-3---1-1-------3-3-----------5-5-----------5-5---------| PM= = = = = = = = |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |-----------------------5-5-5-----9-9-9-9-9-----5-5-5-5-5------| |--5-5-5-5-5-5-5-5--3-3-3-3-3-5-5-7-7-7-7-7-7-7-3-3-3-3-3-2-2--| |--3-3-3-3-3-3-3-3--1-1-------3-3-----------5-5-----------0-0--| PM = = = = = = = = = = = = = = |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-------------------------| |--0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash