|---------------------------------------------------------| |---------------------------------------------------------| |-4--4-4--4-4-4--4/6-6-6--6/7\6-6\4--4-4--4-4--4-4-4--4-4---| |-x--x-x--x-x-x--x/x-x-x--x/xx-xx--x-x--x-x--x-x-x--x-x---| |-2--2-2--2-2-2--2/4-4-4--4/5\4-4\2--2-2--2-2--2-2-2--2-2---| |---------------------------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| |-4--4-4--4-4-4--4/6-6-6--6/7\6-6\4--4-4--0----4-4--4-4-4---| |-x--x-x--x-x-x--x/x-x-x--x/xx-xx--x-x--0-0--x-x--x-x-x---| |-2--2-2--2-2-2--2/4-4-4--4/5\4-4\2--2-2--0-0--2-2--2-2-2---| |-------------------------------------------4-------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash