Premium Content

|---------------------------------------------------------------| |-----------------8-10-10-8h10p8--------------5h6p5-6p5---------| |-----------5-7/9----------------9-7\5---5h6------------7p5-7~~~| |-------5-7----------------------------7-----7------------------| |-3-5/7---------------------------------------------------------| |---------------------------------------------------------------| |--------------------------------------------------------------5| |-----------------------1-3p1-3-4p1-3-1--1-4\3-1---8-8-8-7-6-5-5| |-------------------1/2---2-----2-----2-2--2-----2-9-9-9-8-7-6-6| |-7\5-3-5p3-----------------------------------------------------| |-----------5-3-4-5---------------------------------------------| |---------------------------------------------------------------| |------------------------7-8-9-10-10/11-10----------------------| |----7---7/8---9-10---------------------------------------------| |-------------------6/7---8-9-10-10/11-10-----------------------| |6/7---7-----8-9-10---------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash