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|------------------------------------------------|
|--------------10------10------------------------|
|-----7h9-7-9---9b10--b10r9--7-9-7~--7----7----7-|
|-7h9-7h9----------------------------7h9--7h9--7-|
|-7h9--------------------------------------------|
|------------------------------------------------|
|------------------------------------------------------12b-10-12b|
|--------------------10---------------10h12--10h12-10~-----------|
|-----7h9--7-9--9/11----11\9--7-9-7~-----------------------------|
|-7h9-7h9--------------------------------------------------------|
|-7h9------------------------------------------------------------|
|----------------------------------------------------------------|
|-10----10----10-----10--10----------------------|
|-10h12-10h12-10h12--10--12---10--------------10-|
|------------------------------9h11p9/7--9/11----|
|------------------------------------------------|
|------------------------------------------------|
|------------------------------------------------|
|-10-10-10---9--9--9--7-7-7--5-5-5-|
|-12-12-12--10-10-10--8-8-8--7-7-7-|
|----------------------------------|
|----------------------------------|
|----------------------------------|
|----------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash