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|-------------------------------------------------------|------|
|-------------------------------------------------------|------|
|---11------11------11---11------11---------7-7---7-7---|------|
|-------0-------0------------0-------0------------------|------|
|--------------------------------------0----------------|-(2X)-|
|-0-------0-------0----0-------0----------9-----9-----7-|------|
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|---11------11----------6------6----------4-----4---------2---|
|-------0-------0---------0------0----------0-----0---------0-|
|-------------------------------------------------------------|
|-0-------0-------0--7-------7------7--5------5------5--2-----|
|-----------------------------|
|-----------------------------|
|---2-----------4---------6---|
|------0----------0---------0-|
|-----------------------------|
|-2-------2--5------5--7------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash