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|----------------------------------------------------------------| |----------------------------------------------------------------| |-----------------------4---4-------------------7----------------| |-----------2---2-------------------5---5-----------7------------| |-----9/2---------0-1-2---2---------------3-4-5------------------| |-2/7-----0---0---------------0-2-3---3-----------5---5----------| |----------------------------------------------------------------| |----------------------------------------------------------------| |---------------4--------------------------7---------------------| |---2---2-------------4--------5---5-----------7-----------------| |---------0-1-2---2-2----2p0---------3-4-5-----------------------| |-0---0----------------------3---3-----------5---5---------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |---------------4---4-------------------7------------------------| |---2---2-------------------5---5-----------7--------------------| |---------0-1-2---2---------------3-4-5--------------------------| |-0---0---------------0-2-3---3-----------5---5------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash