Premium Content

|--------------------------------------------------------------| |---4-6-8-------------4-6-8------------------------------------| |---5------7--7---8---5------7-7---5---------------------------| |---6------8--8---8---6------8-8---5---------------------------| |----------------------------------3---------------------------| |---4------6------8---4------6---------------------------------| |--------------------------------------------------------------| |---4-6-8-------------8-6--------4-6-8-------------------------| |---5------7--7---8--------8-5---5------7-7--5-----------------| |---6------8--8---8--------------6------8-8--5-----------------| |--------------------------------------------3-----------------| |---4------6------8--------------4------6----------------------| |--------------------------------------------------------------| |---4--4--4---3--3--6------------------------------------------| |---5--5--5---4--4--3------------------------------------------| |---6--6--6---5--5--5------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash