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|----8-----7-------8----------------3----| |---5-----8---8---8h10--8h10--8--6--5----| |--5-----7-------9-----9------7--5--5--5-| |----------------------------------------| |-5-----7-------8-------------------3----| |----------------------------------------| |----8-----7-------8----------------3---------| |---5-----8---8---8h10--8h10--8--6--5-----1-3-| |--5-----7-------9-----9------7--5--5--5------| |---------------------------------------------| |-5-----7-------8-------------------3---------| |---------------------------------------------| |-----0--0-----0----------------------------| |----1--------0-----------------------------| |---2--------0----0----2--0h2-0---0-------0-| |---------------------2---------3-2-----2---| |--0------------------------------3---3-----| |-----------0--------1----------------------| |-----0--0-----0--------------------| |----1--------0---------------------| |---2--------0----0----2--0h2-0---0-| |---------------------2---------3-2-| |--0------------------------------3-| |-----------0--------1--------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash