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|-------------------------------------3-3--1-1-----------------| |-----------1-1-------------------1-1-3-3--2-2----------1-1----| |-4-4-4-4---2-2-----------4-4-4---2-2-0-0--3-3----------0-0----| |-3-3-3-3---2-2-----------3-3-3---2-2-0-0--0-0-0-2-3-0--2-2----| |-3-3-3-3---0-0-0-2-3-----3-3-3---0-0-2-2---------------3-3----| |-1-1-1-1-0-----------3-1-1-1-1-0-----3-3----------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |---0-2-0------------------------------------------------------| |-3-------3-2---2---2---2--------------------------------------| |-------------4---4---4---4-0----------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash