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|----------------------------------------------------------| |----------10--9--------8-8----------10--9-----------------| |-------8--8---8--------8-8-------8--8---8-----10/12--10p8-| |-8h10------------8h10-------8h10-----------8--------------| |----------------------------------------------------------| |----------------------------------------------------------| |-----------------------------------| |-----------------10--9--------8--8-| |--------------8--8---8--------8--8-| |-10-----9h10------------8h10-------| |----10-----------------------------| |-----------------------------------| |----------------------------------------------9----------------| |-------4--4-------9----------------9----9/11----11--11/13--11~-| |-4--4--------/10-------------8h10----10------------------------| |---------------------8h9--8------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash