Premium Content

|--2----5----0h2------------------------------| |----------------3-------2-3-3h5----5p3p2h3---| |------------------0--------------------------| |--0--0---0-----------------------------------| |----------------------0---------0----------0-| |---------------------------------------------| |--------------------------------3-2---2---3---2--0h2p0-------| |------3---2h3--------------3---------------------------3-----| |-4------------4--------0-----2-------------------------------| |----------------4----0---0------------0-0---0----------------| |-2--2---2--------------------------------------------------4-| |-------------------3-----------------------------------------| |----------------------------------2------------------3-------| |--------2-2h3p2---------------0h3---2--------------3---3-----| |------2---------2----0-----------------4---------0-------0---| |----2--------------4--------4------------0-----0-----------0-| |--0-----------------------2----------------------------------| |--------------------------------------------3----------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash