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|--------------------------9--10p9-------------10-10p9------9-|
|-10-10p9------9--12br--9-----------12--10--9-----------12----|
|----------11-------------------------------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|-------------------------------------------------------------|
|-14b------------------------------------------------------------|
|------14--9b---------------------------9b-----------------------|
|--------------b13r11--9--11----9h11p9------b13r11--9-----9h11p9-|
|----------------------------11------------------------11--------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|-----------------------17b--19r17--15--------------15--17--17b-|
|-------------17-17-17------------------17--15--17--------------|
|-----9---16----------------------------------------------------|
|-11------------------------------------------------------------|
|---------------------------------------------------------------|
|---------------------------------------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash