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|------3-------3--------3--------------------------------------| |-4--4-4-3---3-4-1----1-4----1----3----------------------------| |-5--5-5-3---3-5-1----1-5----1----3----------------------------| |-5--5---3---3---1----1------1----3----------------------------| |--------------------------------------------------------------| |-4------3-------1-----------1----3----------------------------| |----3-6-------3--------3----6---------------------------------| |-4--4-4-3---3-4-1----1-4-1--4--3------------------------------| |-5--5-5-3---3-5-1----1-5-1--5--3------------------------------| |-5------3---3---1----1---1-----3------------------------------| |--------------------------------------------------------------| |-4------3-------1--------1-----3------------------------------| |--------------------------------------------------------------| |-4------3-------1-----------1----3----------------------------| |-5------3-------1-----------1----3----------------------------| |-5------3-------1-----------1----3----------------------------| |--------------------------------------------------------------| |-4------3-------1-----------1----3----------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash