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|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|--------------------------------------------------------------------|
|-2-2-2-0-2h4~-2-4-5-4-2-2/4---------------------0-2h4-4-2-0---0-2-4-|
|----------------------------5\2-2-2-0-0h2-0-2-4-------------2-------|
|--------------------------------------------------------------------|
|------------------------------------------------------------------|
|-----------2h3p2---------2h3p2---------2-3-5-3-5/7--7-7-7-7h8p7---|
|-0----2/4--------4-------------------4--------------------------9-|
|---4---------------4-0---------4/7-4------------------------------|
|-----------------------2------------------------------------------|
|------------------------------------------------------------------|
|------------------------------7-|
|-7-7-7-7-10-8-7---7-7-7-7-7-7---|
|----------------9---------------|
|--------------------------------|
|--------------------------------|
|--------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash