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|-----11-----11-------10------8-------5-----3------1-|
|--------------------------------------------------0-|
|---14--14/12--12/10----10/9-9-8/5---5-5---4-4/2---2-|
|-0------------------0-------------0-----0-------0-0-|
|----------------------------------------------------|
|----------------------------------------------------|
|-----11--------11------10------8-----5-----3--------1-|
|----------------------------------------------------0-|
|---14--14/12-12--12--10--10/9-9-8---5-5/4-4-4/2---2-2-|
|-0------------------0-------------0-------------0---0-|
|------------------------------------------------------|
|------------------------------------------------------|
|-----------------0---------|----|-------2-|
|-------------------3---3---|----|---1-1-3-|
|---------------------2---2-|-3X-|---0-2-2-|
|---------0-3b4-0-----------|----|---2-3-0-|
|-0-0-3b4-------------------|----|-0-3-3---|
|---------------------------|----|---------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash