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|--10-------8-----------------10-------------------------------|
|--10---8---8---10-x--10-10---10-------------------------------|
|--8----8---6---10-x--10-10---8--------------------------------|
|-------6-------8--x--8--8-------------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|-------------8----------------10------------------------------|
|--8-x--8-8---8---10-x--10-10--10------------------------------|
|--8-x--8-8---6---10-x--10-10--8-------------------------------|
|--6-x--6-6-------8--x--8--8-----------------------------------|
|--------------------------------------------------------------|
|--------------------------------------------------------------|
|-------------8----------------10-------------8----------------|
|--8-x--8-8---8---10-x--10-10--10--8-x--8-8---8----------------|
|--8-x--8-8---6---10-x--10-10--8---8-x--8-8---6----------------|
|--6-x--6-6-------8--x--8--8-------6-x--6-6--------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash