Premium Content

|-----5---5---7---8-------5---5---10---8-----------7---8---------| |------------------------------------------8---8-----5-------8---| |---5---5---5---5---5---5---5---5----5-------5---5---------5---5-| |----------------------------------------------------------------| |-8-------------------8------------------7---------------7-------| |----------------------------------------------------------------| |-----10---8-------1-----1-------0-----0----------------| |-8--------------3-----3-------1-----1----------3-----3-| |---5----5-----2-----2-------0-----0----------0-----0---| |------------0------------------------------0-----0-----| |--------------------------3--------------2-------------| |-------------------------------------------------------| |-------------------------3------| |-------1-----1---------3--------| |-----2-----2---------0----------| |---2-----2---------0--------hn5-| |-0---------------2--------------| |---------------3----------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash