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|-12-12-14-14h15------------------------------------------| |-----------------13~--12b13r12--10h12p10\8--7/12-12/5-5/8-| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |----------------------------------------------------------| |-12-12-12h14-15---------------------------------------------| |------------------13--13-15-17-15-13-15-12h13p12/10h12p10/8~-| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |-------------------------------------------------------------| |--------------------------------------------------------| |-7/12-12/5-5/8b--8--/7/12-12/5-5/8~--/8--7/12-12/5-5/8~-| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |-------------------------------| |-/8--7/12-12/5-5/8~---/8-7-----| |---------------------------7b9-| |-------------------------------| |-------------------------------| |-------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash