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|----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-5-5--5-5-5--5-7-7-X-X--5-5--5-5-5--5-7-7-X-X--5-5--5-5-5--5-7--| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |7-10-7-10--5-5--5-5-5-7-7-X-X--5-5--5-5-5--5-7-7-X-X-5-5-5-5-5--| |-7-----7-----14-14-15-14--7------7-----7-9-10--7-| |-7-----8--12-12-12-12-12--7-X-X--7-----8-8-8---7-| |-7-9-7-9--12-12-12-12-12--7-X-X--7-9-7-9-X-0---7-| |-7-9-7-9--12-12-12-12-12--7-X-X--9-9-7-9-9-9---9-| |---9------------------------X-X--9-9-----------9-| |----------------------------X-X--7-------------7-|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash