Premium Content

|----4------4------6-------6------8------8------8/13--13-| |------6------6------5-------5------6------6-------------| |-5------5------5-------5------5------5------5-----------| |--------------------------------------------------------| |--------------------------------------------------------| |--------------------------------------------------------| |-8-----8--------8--------------8------| |-6--6-----6--6-----6--6--6--6-----8b9-| |-5------------------------------------| |--------------------------------------| |--------------------------------------| |--------------------------------------| |----4------4------4------6-----6------6-----8-----8-----8/13-13-| |-------------6-------------5-----6------------6-----6-----------| |-5------5------5------5------5-----5-----5------5-----5---------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |-8-----8--------8-------| |-6--6-----6--6-----6--6-| |-5----------------------| |------------------------| |------------------------| |------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash