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|-----3-----------------------------------------|
|-------3-6-------------------------------------|
|-5b--------5b-3b-------------------3b-------3b-|
|----------------5----5--5-3b----------5--5-----|
|-------------------5--------5-3----------------|
|---------------------------------6-------------|
|-----------------------10-----------------------------|
|----6-6----8-8---8-10b----10b--8--8---11b-8---8---18b-|
|-7------/9-----9----------------------------9---------|
|------------------------------------------------------|
|------------------------------------------------------|
|------------------------------------------------------|
|-15-----------------------------------------------------|
|----18-15-------------17-15------18-----18--------------|
|-----------17b-15b----17-15--17b----17b----17b--15b-----|
|-------------------17--------------------------------17-|
|--------------------------------------------------------|
|--------------------------------------------------------|
|-----------------18b-18-19r-15-17----15-----15-------|
|-17-15-17-15--15------------------17----18b----18-15-|
|-17-15-17-15-----------------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
|-----------------------------------------------------|
|-----------------------15-------17b-15-|
|-------------------17------17----------|
|-17b--15-17-17/19----------------------|
|---------------------------------------|
|---------------------------------------|
|---------------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash