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|----10b12r10--12-8-10-7-------------------14----12-------| |-8-----------------------10-8-7----15b17-----15----13-12-| |-x------------------------------7------------------------| |-X-------------------------------------------------------| |-X-------------------------------------------------------| |-X-------------------------------------------------------| |-17b19r17-17~--19b20-19--20b22--20-20-19-20-19-15-17-15-14-12-| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |--------------------------------------------------------------| |------------12-----------------------------10b12r10~-| |-15--15b17-----13-12-13-12-10--10b12r10p8------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------| |-----------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash