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|----------------------------------------------| |---5----8---5-5--8---5-5--8---5----------5--7-| |-6----9-----6----9---6----9-----6----6-7------| |----------------------------------7-----------| |----------------------------------------------| |----------------------------------------------| |---------------------------------------------------------------| |-8--5-5--8--5-5--8---5----------5-7----8----5-----10----8----7-| |-9--6----9--6----9-----7-6--6-7------9----6----11-----9----7---| |---------------------------------------------------------------| |---------------------------------------------------------------| |---------------------------------------------------------------| |----10-9-7----10-9-7-------------5-| |-10--------10--------10-8-7--------| |-------------------------------7---| |-----------------------------7-----| |-----------------------------------| |-----------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash