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|-9--12--11--9--9--12--14--12--12--12--14--12h14p12--11--9--12-|
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|------------------------------------------------12--12--15--12-|
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|-9--12--11--9--9--12--14--12--14--12h14p12--11-----------------|
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|-12--15--14--12--12--15--17--15--15--15h17--15--14--12--12-|
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|-12/14--12--15b17r15--14--12--12--12/14--12--12/14--12---------|
|--------------------------------------------------------13--12-|
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|--3-|------|-5-|------|-------|
|----|------|---|------|-------|
|----|-(8x)-|---|-(8x)-|-------|
|----|------|---|------|-9---9-|
|----|------|---|------|-7---7-|
|----|------|---|------|-0---0-|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash