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|-14~--14b16r14-------------------------------------| |----------------15b17-17r15--14-14-----------------| |-----------------------------------14--------------| |--------------------------------------14~--12--12~-| |---------------------------------------------------| |---------------------------------------------------| |-14b16r14------------------------------------------| |----------15b17-17r15--14--------------------------| |--------------------------14-----------------11b12-| |-----------------------------14--12-11-9\7---------| |---------------------------------------------------| |---------------------------------------------------| |------------------------------------------| |------------------------------------------| |-9b11-11r9-7--9\11-9-7--9p7---7--9--11b12-| |----------------------------9-------------| |------------------------------------------| |------------------------------------------| |-14/15-14-12-10--------------------------------------------------| |----------------12-----------------------------------------------| |-------------------12------------------------11b12-9b11r9-7------| |----------------------12-10h12p10\9-9h10p9\7---------------7/9\7-| |-----------------------------------------------------------------| |-----------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash