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|------------------------------------------------------------|
|------------------------------------------------------------|
|-------------------------10----------------------------10---|
|-10b12r10-8--10b12r10-8-----8--10b12r10-8--10b12r10-8-----8-|
|------------------------------------------------------------|
|------------------------------------------------------------|
|------------------------------|
|------------------------------|
|------------------------------|
|-10b12r10-8--8\6--6-----------|
|---------------------3-4-4/6~-|
|------------------------------|
|--------------------------13------------------------------13----|
|-13b15r13-11--13b15r13-11----11--13b15r13-11--13b15r13-11----11-|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|----------------------------------------------------------------|
|---------------------------16--18-----|
|-13b15-13b15-13b15-13b15-----------14-|
|--------------------------------------|
|--------------------------------------|
|--------------------------------------|
|--------------------------------------|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash