acordes usados
|-12--12--10--10--7--7--5--5--3--3----------|
|-0---0---0---0---0--0--0--0--0--0----------|
|-12--11--10--9---7--6--5--4--3--2----------|
|-0---0---0---0---0--0--0--0--0--0--0-3-2-0-|
|-------------------------------------------|
|-------------------------------------------|
|-12--12--10--10--7--7--5--5--3--3--------|
|-0---0---0---0---0--0--0--0--0--0--------|
|-12--11--10--9---7--6--5--4--3--2--------|
|-0---0---0---0---0--0--0--0--0--0--3-2-0-|
|-----------------------------------------|
|-----------------------------------------|
|---------------------------------------|
|---------------------------------------|
|-3-3-3---4-4-4--4-4-4---5-5-5--5-5-5---|
|-0-0-0---0-0-0--0-0-0---0-0-0--0-0-0---|
|-5-5-5---5-5-5--5-5-5---5-5-5--5-5-5---|
|-------0--------------0--------------0-|
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (release immediately if no number after r)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
<> - volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash