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|-----------0--2--3--------2--0---------------------| |--------3---------------0------0--3--3-------------| |------0---------------0-----------------------0----| |----0--------------------------------------0-----0-| |---------------------------------------------------| |-3------------------0-------------------3----------| |-----------0--2--3--------2--0-----0--0------------------0------| |--------3---------------0-------0-------------1--------1---3--1-| |------0---------------0---------------------0---0----0----------| |----0-----------------------------------------------------------| |-----------------------------------------0---------0------------| |-3------------------0-------------------------------------------| |------------------------0--0--0--------0------------------------| |-0--------------------1--------------1----3--1--0---------------| |---------0h2--------0--------------0-------------------0h2------| |-------2-------4-------------------------------------2--------4-| |----5--------5----0--------------0-----------------5--------5---| |----------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash