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I N T R O |-2-x--------------------------x---------------------| |-3-x-3---x--0-x-2---------3---x-3---x-0-x-2---------| |-2-x-2---x--0-x-2---2h4---0h2-x-2---x-0-x-2---2h4---| |-0---0---x--0-x-2-------2-0-----0---x-0-x-2-------0-| |----------------0-0-----------------------0-0-------| |-----2-2----3-------------------2-2---3-------------| |-2-x--------------------------x----------------0-| |-3-x-3---x--0-x-2---------3---x-3---x-0-x-2-x--0-| |-2-x-2---x--0-x-2---2h4---0h2-x-2---x-0-x-2-x--0-| |-0---0---x--0-x-2-------2-0-----0---x-0-x-2-x--2-| |----------------0-0-----------------------0----2-| |-----2-2----3-------------------2-2---3--------0-|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash