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|-5/6-6-6-6-6------------6-6-6-6-6-----------| |-5/6-6-6-6-6-8--6-------6-6-6-6-6--8-6------| |-------------8--6h7----------------8-6h7----| |--------------------8---------------------8-| |--------------------------------------------| |--------------------------------------------| |-6-----------6------------------------------| |-6-8-6-------6-8-6------8b9---8b9---8b9---8-| |---8-6h7-------8-6h7----8b10--8b10--8b10--8-| |---------8-----------8----------------------| |--------------------------------------------| |--------------------------------------------| |------6--------6------6--------6-|------| |------6--------6------6--------6-|------| |-8b10----8b10----8b10----8b10----|-(2x)-| |---------------------------------|------| |---------------------------------|------| |---------------------------------|------| |------6-6-6--9b10--6-8-6------------------------------| |------6-6-6--9b10--6-8-6-9-8-6--8b9--6--8b10-6-8b9--6-| |-8b10--------------------9-8-6--8b9-----8b10---8b9----| |------------------------------------------------------| |------------------------------------------------------| |------------------------------------------------------| |-----------6--6--6--------------| |-8-6-------6--6--6--8--6--------| |-8-6h7-7------------8--6h7------| |-------8---------------------8~-| |--------------------------------| |--------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash