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|-----------5/6--6-6--5/6--6-6--5/6--6-6----------------| |------6-8--5/6--6-6--5/6--6-6--5/6--6-6--9-8-6---------| |-6h7--------------------------------------------6h7----| |-----------------------------------------------------8-| |-------------------------------------------------------| |-------------------------------------------------------| |-------------------------------------------| |------------------------------6-8-6--------| |-------------------------3/7--7-7-7-5\3----| |-8--8-8--8--8-8--8--8-8------------------5-| |-8--8-8--8--8-8--8--8-8--------------------| |-------------------------------------------| |-------------------------------------------6-|------| |-------6--------6--------6--------6--------6-|------| |-8b10-----8b10-----8b10-----8b10-----8b10----|-(2x)-| |---------------------------------------------|------| |---------------------------------------------|------| |---------------------------------------------|------| |------6-------8-6----------------6------------------------------| |--------9-8-6-----9-8-6--------6---9-8-6-------6-------6--------| |-8b10--------------------8-6h7------------8b10----8b10---8-6----| |--------------------------------------------------------------8~| |----------------------------------------------------------------| |----------------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash