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|-----3-3--3-3------8-8--8-8------3-3--3-3------3-3--3-3-| |-----2-2--2-2------7-7--7-7------2-2--2-2------2-2--2-2-| |-----2-2--2-2------7-7--7-7------2-2--2-2------2-2--2-2-| |---------------0-0--------------------------------------| |-0-0-------------------------0-0-----------0-0----------| |--------------------------------------------------------| |-----8-8--8-8------8-8--8-8------3-3--3-3------3-3--3-3-| |-----7-7--7-7------7-7--7-7------2-2--2-2------2-2--2-2-| |-----7-7--7-7------7-7--7-7------2-2--2-2------2-2--2-2-| |-0-0-----------0-0--------------------------------------| |-----------------------------0-0-----------0-0----------| |--------------------------------------------------------| |----10-10--10-10------8-8--8-8------3-3--3-3---0--0--0---0-| |-----9--9---9--9------7-7--7-7------2-2--2-2---5--5--5---5-| |-----9--9---9--9------7-7--7-7------2-2--2-2---7--7--7---7-| |------------------0-0--------------------------6--6--6---6-| |--------------------------------0-0------------7--7--7---7-| |-0-0-------------------------------------------------------|

h - hammer-on
 p - pull-off
 b - bend
 pb - pre-bend
 r - bend release (release immediately if no number after r)
 /\ - slide into or out of (from/to "nowhere")
 s - legato slide
 S - shift slide
<n> - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
 ~ - vibrato
 tr - trill
 T - tap
 TP - trem. picking
 PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
 \n - tremolo bar down
 n/ - tremolo bar up
/n\ - tremolo bar inverted dip
 = - hold bend; also acts as connecting device for hammers/pulls
 <> - volume swell (louder/softer)
 x - on rhythm slash represents muted slash
 o - on rhythm slash represents single note slash